![]() ![]() This open-access journal is effectively an anthology of scholarship curated by the editors of peer-reviewed anthropology journals published around the world, with the aim of "pluralizing the dissemination of anthropological knowledge on a global level." Launched in 2013 and currently in its sixth issue, Deja Lu republishes scholarly articles on any anthropological topic, giving its readers a unique opportunity to access a cross-section of diverse research in one place. On the former, Lu is joined by Craig G and Masta Ace, who vent the frustrations that come with working to get clean for six months, only to have all those close to you still view you as an addict.Readers interested in anthropological research conducted by scholars worldwide should check out Deja Lu ("Already read"), an initiative of the World Council of Anthropological Associations. Lu portrays how difficult the recovery process can be, struggling first with harsh withdrawal symptoms on the haunting “End of the Line.” The combo of “Nothing Matters” and “Coma Dose” is where NA Meeting hits its peak, achieving a lasting level of resonance and poignancy. ![]() In the latter, Tash provides a revelatory verse, vividly describing the circumstances that led him to finally quit drinking. With “Grimeball,” he copes with how far he’s fallen since getting hooked, while “The Meeting” functions as an actual Narcotics Anonymous meeting. NA Meeting’s emotional core comes with the album’s back half, after “Alex” hits rock-bottom and decides to get clean. “The way it’s designed, and my feelings combine together feel like heaven,” A.G. Cheeks and A.G., as they describe the fleeting bliss that narcotics can provide. Lu follows that up with “Outta My Mind,” featuring Mr. On “Make Me Sane,” he and Planet Asia demonstrate how the boredom, cabin fever, and eventually depression of being stuck at home while injured led to the abuse of Percocet, Vicodin, and Oxycontin. Through the album’s opening few songs, he shows how slipping into opioid abuse can happen almost unintentionally. NA Meeting’s greatest strengths lie in its storytelling and the emotions that Lu and his guests convey. Their skills help bolster the album, but Lu’s skills and voice still carry NA Meeting. The roster includes Planet Asia, Tash of Tha Alkaholiks, Masta Ace, A.G., Rock of Heltah Skeltah, Kool Kim of the UMC’s, Nine, and many others. ![]() ![]() Lu also enlists a plethora of hip-hop greats, many of whom got their start in the 1990s but remain active today. Conflikt is excellent behind the boards, creating beats that set the album’s mournful tone. NA Meeting’s production is handled by Conflikt, a Canadian beatsmith affiliated with the group Hellzwind. He cleans up and tries to live the sober life, but he finds himself unable to readjust. His wife kicks him out of their home, and he turns to a life of crime after his prescription runs out, eventually forced to go on the lam. Stuck at home, he starts abusing the drugs, and everything rapidly spirals out of control. Things begin as happily married Alex breaks his leg during a shift on his job as a mechanic with Cadillac and is prescribed numerous different opioids in order to recover. The project unfolds like a particularly grim episode of Intervention or Ozark, told in flashbacks by the narrator “Alex” while attending one of the nominal NA Meetings. ![]()
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